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Classical concerts featuring
Joanna Kamenarska

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Upcoming Concerts

Concerts featuring Joanna Kamenarska in season 2024/25 or later

February 8, 2025
Artistic depiction of the event

Hamburger Camerata / Valentin Egel

Sat, Feb 8, 2025, 20:00
Laeiszhalle, Großer Saal (Hamburg)
Hamburger Camerata, Tamar Inbar (Oboe), Reinhold Friedrich (Trumpet), Joanna Kamenarska (Violin), Valentin Egel (Director)
If there is a group of works that matches the Hamburger Camerata’s season’s motto »Camerata concertante« like pot and lid, it is the »Brandenburgischen Konzerte« by Johann Sebastian Bach! The six »Concerts avec plusieurs instruments«, which the Köthener Hofkapellmeister wrote in 1721 as his artistic calling card for Margrave Christian Ludwig von Brandenburg, are a real playground for concerting soloists and ensembles in all conceivable constellations. On the 275th anniversary of Bach’s death, which is celebrated by the Musikwelt on 28 July 2025, the Hamburger Camerata, with soloists from its own ranks as well as musical friends finally dedicated themselves to the entire »Six Pack« in one evening with soloists from its own ranks and musical friends.
February 18, 2025
Artistic depiction of the event

Hamburger Camerata / Gábor Hontvári

Tue, Feb 18, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Joanna Kamenarska (Violin), Amanda Kleinbart (French horn), Franziska Pietsch (Violin), Hila Karni (Cello), Gábor Hontvári (Director)
Double concertos for two solo instruments take the usual »concertante two-dimensionality« to »3D«, so to speak: in addition to the juxtaposition of solo and orchestra, there is also the relationship between the two solo parts to consider. And one is often inclined to imagine the latter as a role play: Are we witnessing a liaison or an argument between the two protagonists? True to its motto for the season, the Hamburg Camerata presents two such »3D concertante« works in this programme: in his piece for violin, cello and orchestra, the French Romantic composer Camille Saint-Saëns actually had the image of a muse in mind who ensnares a poet and frees him from his melancholy. It is not known whether the British contemporary Ethel Smyth had something similar in mind for her unusual double concerto for violin and horn. But the pioneer of the English women’s movement was certainly controversial. In contrast, Francis Poulenc saw his »Sinfonietta« from 1947 as more of a pleasure than a serious contribution to the time-honoured symphonic genre, in which the united »concertante camerata« breaks out into countless stylistic dimensions at the end.
June 5, 2025
Artistic depiction of the event

Hamburger Camerata / Joanna Kamenarska

Thu, Jun 5, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Hamburger Camerata, Joanna Kamenarska (Violin), Joanna Kamenarska (Director)
Ideally, they should all work together harmoniously: the wind and string instruments of an orchestra. Sometimes, however, it can also lead to astonishing listening experiences to experience the registers separately. And if works for string orchestra have a long tradition in music history anyway, it is only in keeping with the spirit of the »Camerata concertante« motto that the wind players of the Hamburg Camerata are also allowed to present themselves as a »concertante« ensemble at the end of the season! The programme for this concert therefore includes three works that explore the traditional variety of instrumentation in the serenade and divertimento genres in order to bring the different qualities of the orchestral sections to the fore: Dvořák’s all too rarely performed Serenade op. 44 is inspired by Mozart’s great wind piece, the »Gran Partita«. Bartók’s Divertimento, on the other hand, is based on the Baroque form of the »concerto grosso«, which is characterised by the typical alternation of solo and tutti passages within the string orchestra. And Mozart’s Divertimento K. 251 brings the strings and selected wind instruments together in a sonorous way.